WIB Listening Party #64: Stingray

featuring…

Kenny Brown, Stingray

🍺 Two Chefs Funky Falcon Pale Ale

Words & photos: Vincent Abbate

 

2003’s Stingray is a classic example of a really good album that slipped through the cracks.

Recorded at The Money Shot in Water Valley, Mississippi and released on Fat Possum, it’s the work of singer and guitarist Kenny Brown. Best known as the musical sidekick to R.L. Burnside until the latter’s demise in 2005, Brown grew up in the North Mississippi tradition, apprenticing with local legends like Joe Callicott and Johnny Woods before hooking up with Burnside for a partnership that lasted roughly three decades. More recently, his guitar featured on The Black Keys’ Delta Kream, Robert Finley’s Sharecropper’s Son and Hank Williams Jr.’s Rich White Honky Tonk Blues. So he’s out there, still doing his thing.

I scooped up my CD copy of Stingray for a measly $3.95 at a second-hand book outlet in Nashville, Tennessee, following a string of unforeseen circumstances. More on that in a bit.

What we got greasing the wheels this time around?

That would be Funky Falcon Pale Ale from Two Chefs Brewing. Founded in 2012 by a pair of now-former chefs (duh), Two Chefs calls itself “Amsterdam’s Finest Craft Beer Brewery” and adorns its beers with bold, brash colors and characters, like the Dia de los Muertos Mariachi gracing its Mexican-style lager or the gunslinging cowboy on its Green Bullet IPA. I admit I’m a sucker for creative names and designs – undoubtably they’re a part of what makes craft beer fun. But it’s what’s inside that counts, right?

We’ll see what the Funky Falcon has to offer and dive into the Kenny Brown album on the other side.

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WIB Listening Party #21: Not The Same Old Blues Crap

featuring…

Various Artists, Not The Same Old Blues Crap Vol. 1

🍺 La Quince CRYOBOT IPA

Words & photos: Vincent Abbate

That time from the mid-1990s on into the current millennium when Fat Possum Records was shaking up the blues world was actually pretty significant. Who among us had heard of R.L. Burnside before then? Junior Kimbrough? T-Model Ford? How many of us even knew there was such as thing as the North Mississippi Hill Country blues and that it was different from anything we’d heard before? Not many, I’d venture to guess.

And then suddenly, there it was. A weird, edgy, hypnotic, punky, groove-oriented sound, propagated by a tiny indie label operating from Oxford, Mississippi – a college town. Not coincidentally, perhaps, the music appealed to a twenty-something alternative audience who didn’t really know or care what the blues was. It didn’t matter that most of the musicians on the Fat Possum label were two or three times as old as The White Stripes. All that mattered – as the name of the label’s sampler series provocatively stated – was that it was Not The Same Old Blues Crap.

Today we’re going to give the first entry in that series a listen – an eleven-track album with cuts by Kimbrough, Ford, Burnside and several others.

To wash it down, we’ve got La Quince’s CRYOBOT IPA, a seasonal brew named for the Cryo Hops used in production and the futuristic bot on the label. As the late great Mr. Kimbrough once sang: I gotta try you girl.

So come on in … meet me in the city … ehh, enough of that …

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