DR. HELANDER & THIRD WARD

Meat Grindin’ Business

Bluelight Records

Is a Finnish blues “supergroup” even possible? If so, Dr. Helander & Third Ward fits the bill. Members Ilkka Helander, Esa Kuloniemi und Leevi Leppänen comprise a trio of blues vets who have appeared on dozens of albums and played thousands of concerts over the past several decades. Helander’s the front man here, handling guitar and the bulk of the vocals, with Kuloniemi (bass/guitar/vocals) and Leppänen (drums) making strong contributions to an album that boasts added star power in the form of harmonica legend Charlie Musselwhite. They all come together on a raucous electric affair built on deep grooves, twin guitar fireworks and a big, booming, floor-rattling bass. Opening cut “Hawaiian Boogie” is an Elmore James number that sees them playing in a raw, chunky style reminiscent of Hound Dog Taylor & The Houserockers. Musselwhite spices up the similarly hard-driving “Third Ward Boogie,” then gives way to the skills of his Finnish harp counterpart Little Willie Mehto on “Money Makin’ Machine.” Helander does a solid job vocally on Lightnin’ Hopkins “Death Bells,” which also features some fine playing by Musselwhite, though it might have been nice to also hear Charlie singing on this one. The back half of the album is highlighted by the swampy CCR-style “It’s Not For Me But For My Friend” and the John Lee Hooker-esque “Woman’s Trust.” The greasy shuffle “Don’t Be Messin’ With My Bread” closes out Meat Grindin’ Business – a lean, tasty, thoroughly satisfying album with very little fat. – VA

SONG PICK: “Third Ward Boogie”

WoW #11: John Lee Hooker – “Tupelo Blues”

John Lee Hooker – “Tupelo Blues”

The dreary wet weather this morning has me thinking about rain songs. “Backwater Blues.” “Didn’t It Rain.” “When The Levee Breaks.” Flood songs.

There have been more than a few in the blues. The Great Mississippi Flood of 1927, which took the lives of 246 people in seven states, is said to have inspired “When The Levee Breaks,” recorded by Memphis Minnie and Kansas Joe two years later. It may also have provided the backdrop for John Lee Hooker’s “Tupelo Blues.” Hooker would have been about 10 years old at the time. Old enough to remember. Some sources say he was recalling another catastrophic Mississippi flood in 1936.

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