WIB Listening Party #68: Jon Amor Blues Group

featuring…

Jon Amor Blues Group

🍺 Hop Drops Citra Extra Pale

Words & photos: Vincent Abbate

Before I talk about my favorite entry in Jon Amor’s discography, let me go on record with a blanket endorsement. I admit it, I’m a fanboy. To my mind, the lanky guitar-wielding Briton flat out gets it. You can confidently grab any album he’s been involved with and know you’re going to hear a lean, well-executed batch of songs with some thought behind them. That includes The Turnaround, the brand new disc from his current project the Jon Amor Trio, which I unhesitatingly recommend. You can find out more about where he’s been and what’s on his resumé in the Who Is Blues interview that followed the release of the wonderfully eclectic Colour In The Sky in 2018.

Oh, by the way, we’re back.

By we, I mean me, because even though Who Is Blues is approaching its seven-year anniversary, it remains a one-man operation. So when a rather severe case of fall and winter doldrums sets in, as it did on this most recent trip around the sun, Who Is Blues falls silent. I’ve produced precious little content and not a single Listening Party since last September. No excuses, no blaming, it just didn’t happen.

We’re barely into March 2024 now, but the brightening skies and longer days are already giving me a springtime vibe. Reason enough to crack open a beer, reignite this digital platform and revisit what is truly one of my favorite records of the past 20 years.

As you should know by now, that’s the basic set-up here at the Listening Party. Beer meets blues. (In most cases! I don’t adhere to a strict definition of the blues and occasionally reach for an album from well outside the genre.) After the jump, you’ll find some sample tunes and a casual beer tasting. Other than that, I take the liberties blues magazines don’t give me. This space is for riffing freely on the album at hand and just about anything else that crosses my mind.

Today, the jumping off points are the eponymous Jon Amor Blues Group and Rye River Brewing’s Hop Drops Citra Extra Pale.      

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WIB Listening Party #64: Stingray

featuring…

Kenny Brown, Stingray

🍺 Two Chefs Funky Falcon Pale Ale

Words & photos: Vincent Abbate

 

2003’s Stingray is a classic example of a really good album that slipped through the cracks.

Recorded at The Money Shot in Water Valley, Mississippi and released on Fat Possum, it’s the work of singer and guitarist Kenny Brown. Best known as the musical sidekick to R.L. Burnside until the latter’s demise in 2005, Brown grew up in the North Mississippi tradition, apprenticing with local legends like Joe Callicott and Johnny Woods before hooking up with Burnside for a partnership that lasted roughly three decades. More recently, his guitar featured on The Black Keys’ Delta Kream, Robert Finley’s Sharecropper’s Son and Hank Williams Jr.’s Rich White Honky Tonk Blues. So he’s out there, still doing his thing.

I scooped up my CD copy of Stingray for a measly $3.95 at a second-hand book outlet in Nashville, Tennessee, following a string of unforeseen circumstances. More on that in a bit.

What we got greasing the wheels this time around?

That would be Funky Falcon Pale Ale from Two Chefs Brewing. Founded in 2012 by a pair of now-former chefs (duh), Two Chefs calls itself “Amsterdam’s Finest Craft Beer Brewery” and adorns its beers with bold, brash colors and characters, like the Dia de los Muertos Mariachi gracing its Mexican-style lager or the gunslinging cowboy on its Green Bullet IPA. I admit I’m a sucker for creative names and designs – undoubtably they’re a part of what makes craft beer fun. But it’s what’s inside that counts, right?

We’ll see what the Funky Falcon has to offer and dive into the Kenny Brown album on the other side.

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WIB Listening Party #7: Jab


featuring…

A Contra Blues, Jab

🍺 Hop Fiction American Pale Ale

Words & photos: Vincent Abbate

How is it possible that Quentin Tarantino’s Pulp Fiction came out more than 25 years ago? If you’re like me, you’ll never forget what it felt like to be whacked over the head by this theme park adventure ride of a movie. The opening one-two punch of the first diner scene and Dick Dale’s “Misirlou.” Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson absolutely killin’ it) talking hamburgers on the way to their first hit. Travolta and Uma Thurman twisting at Jack Rabbit Slim’s. The accidental blown-off head that forces Vincent and Jules to go see clean-up man Winston Wolfe. One classic scene after another, stitched together in a circular fashion that allowed Travolta’s character to die an inglorious death in the film’s middle act, then strut into the sunset alongside Jackson at its conclusion.

A few years later, when the first Kill Bill movie came out … I guess you could say I went all Bob Dole inside. Tarantino’s relentless depictions of violence had crossed a line I could no longer stomach. Pulp Fiction has its brutal moments, too, but the blood and guts don’t spoil the overriding spirit of fun.

The people at Madrid’s La Quince brewery – company motto: “Brew Wild” – have attempted to capture the essence of Tarantino’s cinematic tour de force in the American-style pale ale they call Hop Fiction. The Pulp Fiction-inspired label is a good start. It’s nearly as inviting as Uma Thurman’s iconic pose on the film poster and has me curious about what’s inside.

I’ve chosen Jab by Barcelona’s A Contra Blues to go along with it – an album just twangy and surfy enough to feel like a good fit. Let’s fire up the music and unleash the contents of this snazzy-looking bottle …

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