WIB Listening Party #47: Don’t Give Up On Me

featuring…

Solomon Burke, Don’t Give Up On Me

🍺 Crew Republic In Your Face West Coast IPA

Words & photos: Vincent Abbate

Today’s my 57th birthday. I feel moderately OK, calm, at peace. But my mood is not celebratory. Current world events, a black cloud as of late, are not the primary reason. It’s that number. 57. I have a problem with it.

My graying hair, my daily aches and pains, the slight gut that now sags from my scrawny frame – they all tell me that the number fits. It’s gotta be true. But I don’t want to be 57. I’m possessive of my time on this earth. I love life and don’t want to surrender it. I don’t want to count the days.

Turning back the clock is not an idea that appeals to me. My youth wasn’t all that wonderful. I like where these 57 years have taken me. I’m so much stronger in so many ways. If only I could have had the life skills I have now – the confidence bordering on fearlessness – when I was young and bursting with physical energy. I still have the passion and desire, but now it’s packed inside this aging, slowing, declining body.

I know what the solution is, what the goal must be today: To find my way from wishing things could be different to accepting what is. Being in the moment and arriving at a place of gratitude is always the answer.

Or maybe it’s music and beer.

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WIB Listening Party #8: God Don’t Never Change

featuring…

God Don’t Never Change: The Songs of Blind Willie Johnson

🍺 Men’s Hell Extra Strong Lager

Words & photos: Vincent Abbate

Blind Willie Johnson.

I’m going to let that name sit there and resonate for a bit.

Those with only a vague notion of the blues are now wondering: Why are they all called Blind Willie? Or Blind something-or-other? Consider the career opportunities available to a southern black man with a handicap one hundred years ago.

If he was musically inclined and bold enough, he might choose to play popular songs on street corners, happy to hear the clatter of coins in the tin cup hanging around his neck. If he was good, word might spread to one of the label reps scouting around for talent. If he was exceptional, that label rep would put him on record. All the participants, including the street singer, were out to make money. They didn’t become artists and blues pioneers until later generations put those monikers on them. 

From all that I’ve read, though, Texas-born Blind Willie Johnson wasn’t your average busker. He was more of a wandering preacher. The 30 sides he left behind, recorded for Columbia Records between 1927 and 1930, bear that out. Johnson’s music – which he played and sang mostly close to home in Texas, but also as far away as New York City – is akin to the Living Bible. The gospel set to a fervent rhythm people can relate to. Moreover, he was genius at tying the teachings of the Bible to the major news events of his day, like the Titanic disaster (“God Moves On The Water”) or the Spanish flu epidemic (“Jesus Is Coming Soon.”)

As a singer and guitar player, he had a peculiar intensity. His voice was raspy and sharp as a buzzsaw, his syncopated bottleneck playing raw and rough – the exceeding beauty of the results is hard to explain. You know by listening that this man meant business, and even the agnostic ear can feel the power of the Lord in his songs.

Johnson’s God-fearing spirit will serve us well today, as we take on a diabolical brew that would curl Satan’s toes: Men’s Hell Extra Strong Lager. It’s one of five beers crafted by Kraftbierwerkstatt, a small German brewer based near Stuttgart. Musically, we’ll look at the recent star-studded tribute God Don’t Never Change: The Songs Of Blind Willie Johnson.

Two potent forces. One sonic, the other sensual. Let’s do this …

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